A flat 2D canvas
Rejected
It only pretended to have depth.
This site is one of the studies. It started on 2 November 2026 as a plain wish: something you want to reach into, thick like paint and putty, that holds a CV without looking like one.
It is laid out here on the Design Council's Double Diamond: open up, narrow down, open up again, narrow down again. It did not run in a straight line, and the record shows that.
Looking at Lusion, Pentagram and the work of Adrián Gubrica, and reading what research exists on motion, colour and sensory load. That research is thinner than people assume, and much of it is expert guidance, not measurement.
A home online instead of a profile on someone else's platform. Four strands that never blend: separate disciplines, one rope. Adding content must never restart the design.
Rejected
It only pretended to have depth.
Rejected
Pixelated, and the shapes kept merging.
Rejected
Too many. They looked gooey and a bit frightening.
Kept
You can follow each one all the way along.
Kept
Flat type on real layers: one line in front, one behind.
Rejected
It lost what was good. Since then, the rule is small changes only.
Kept
All colour off. The strands turn to glass that bends the words.
Real light is rendered in Blender and baked into a texture, then worn by the live strands, the way Adrián Gubrica fakes a render in real time. Everything else is flat layers you can pull apart: open the menu, go to The Lab and press View Layers. Each version is measured by inspectors written for this project, then judged by eye.
These are simulated lenses used to find problems, not research with real people. Testing with real people comes next.
Led to a Pause you can reach while reading, and Quiet colours.
Led to labels that hold still when you reach them, and Resting.
Led to Distinct colours, stepped in lightness first.
Led to a Plain Page as the first stop, and spoken changes.
Led to every mode being reachable, and focus that does not get lost.
Led to all motion stopping for good when asked.
Led to the word data in the first line. The one-icon opening stayed: interaction is the point here.